Heffel, Canada's national auction house and art market leader, is incredibly honoured to showcase a group of museum-quality artworks at its coming spring sale, which will be presented on May 25, 2023 in Toronto and to a global audience. The sale will be divided into its time-honoured sessions of Post-War & Contemporary Art, followed by Canadian, Impressionist & Modern Art, and each will be anchored by major works. A number of acclaimed masterworks are making their auction debuts and leading the sale, including Emily Carr's spectacular Sitka Totem Pole, E.J. Hughes's dynamic Abandoned Village, Rivers Inlet, BC and Alex Colville's monumental June Noon. The auction, estimated to total between $10 million and $15 million, will feature in-person bidding, together with Heffel's advanced Digital Saleroom, allowing for participation from all over the world. (All estimate values are in Canadian dollars.)
Alex Colville's June Noon is a work of exceptional quality, importance and rarity. It has traveled extensively around the world and has been included in major museum shows, including stops in Cologne and Berlin, as well as the world's most prestigious contemporary art exhibit—the 33rd Venice Biennale in 1966, in which Colville represented Canada. The thoughtful painting, which has been in an important collection in Germany for more than 50 years, depicts the artist's wife, Rhoda in a tent, and Colville himself looking out to sea. It was just after this work was shown in Venice that Colville launched into worldwide acclaim and a number of career-changing accomplishments. This monumental auction marks an exceptionally rare opportunity to own one of the finest works by Colville ever produced.
Leading Heffel's historical offering this spring is Emily Carr's masterpiece Sitka Totem Pole, painted in 1912 on the heels of her return from France. The work has been cared for by the same family since it was first acquired from Carr's dealer, the revered Max Stern of Dominion Gallery, and has only been seen by the public once in the last 100 years when it toured with the National Gallery of Canada's 2006 exhibition, Emily Carr: New Perspectives on a Canadian Icon. It was first shown at Carr's debut exhibition at Dominion Hall, Vancouver in 1913. This fresh-to-the-market canvas, featuring a towering and energetic totem pole, is a breathtaking depiction of one of the most revered symbols of Tlingit culture and exemplifies Carr's deep respect and admiration for the Indigenous communities she visited and befriended. Her use of bold, vibrant colours and quintessential dynamic brushstrokes, along with the market rarity, make it an incredibly sought-after example, and one that is sure to dazzle collectors.
"Heffel is extremely proud to go back to our roots and have iconic masterpieces by Carr, Colville and Hughes leading the charge, and making their mark on the auction market for the first time," said David Heffel, President of Heffel Fine Art Auction House. "These paintings are not only artistic treasures, but are also important pieces of history and culture, and we are honoured to present them as such this spring."
To give collectors and enthusiasts from across Canada an opportunity to view these works, the collection is being previewed in four cities leading up to the auction and through virtual gallery tours.
For additional details on the previews and auction participation, and to access the online catalogues, please visit www.heffel.com or contact our specialists.